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 Mad Scientists

 

“Now I know what it feels like to be God!”


My choices for the ten best Mad Scientists films:

Ah, the wild egos and bizarre experiments of the mad scientist.  He's been a mainstay of both horror and science fiction  (notice that this list falls under both genres) since talking pictures began.  For the '30s and '40s, almost all science fiction involved mad scientists. 

I have mixed feeling about this subgenre.  So many good movies are part of it, but it is fundamentally very conservative.  The films are seeped in a fear of science, change, and advancement of any kind.  They applaud ignorance and proclaim that both morality and safety require humans to cling to the status quo.  The best Mad Scientist films avoid the proselytizing and find something less restrictive to say. 

Mad Scientists are motivated either out of evil or arrogance.  When evil, the scientist normally is working either for his own petty gain, or to enslave the world, and his inventions are his tools.  In the '30s and '40s, he was likely to use his creations to somehow sexually harass a beautiful girl that had caught his eye.  It would be up to the non-scientific star of the movie to rescue her.

The arrogant scientist is often trying to help the world, but his experiments end up bringing ruin to him instead.  These latter scientists are split between those who experiment on themselves, and those who experiment on (or create) others.  Either way, it doesn't work out well.  While the evil scientist is rarely the star of the film, the arrogant one usually is.  He is warned by more level-headed colleagues, and by a love interest, to give up his dangerous and blasphemous experiments, but he is too obsessed.  He is an addict, and knowledge (knowledge that man should never gain) is his drug.

Through the '60s, mad scientists tended to work alone in secret labs, but in recent years, with a realization that most scientific research is done by teams, the mad scientist has lost his lonely status.  Instead, there are mad scientific organizations.  In films that use the updated structure, the arrogance (or evil) no longer belongs to the person doing the experiments, but to a company or government official with authority over the insane project.  Often, the scientists will attempt to stop the project, but the less educated boss, with dreams of company bonuses or power through a new weapon, will push on to the bitter end.

For a film to fit in the Mad Scientist category, there must be a mad scientist at the center of the film, not just science-gone-wrong (as in 28 Days or The Omega Man) or a mad scientist off in the wings (Day of the Dead).  

This list has a more than average number of films on other lists, because so many of the Classic Horror films were Mad scientist pictures.  

My Mad Scientist Film reviews: 

The Abominable Dr. Phibes
Bride of Frankenstein
Beyond Re-Animator
Bride of Re-Animator
The Creature Walks Among us
Curse of the Fly
The Devil-Doll
Dr. Jekyll and Mr. Hyde '31
Dr. Jekyll and Mr. Hyde '41
Doctor X
Dragon Fighter
The Fly
The Fly II
Forbidden Planet
Frankenstein
Frankenstein Meets The Wolf Man
Frankenstein Reborn
Frankenstein Unbound
From Beyond

Ghost of Frankenstein
Hand of Death
Hollow Man
The Horror of Frankenstein
House of Dracula
House of Frankenstein
The Invisible Man Returns
The Invisible Man's Revenge
The Invisible Woman
The Island of Dr. Moreau '77
The Island of Dr. Moreau '96
Lady Frankenstein
Man with the Screaming Brain
The Manster
Mary Shelly's Frankenstein
The Monster Maker
Project: Metalbeast
The Quatermass Xperiment

Re-Animator
The Return of Doctor X
Return of the Fly
Return of the Living Dead III
Revenge of the Creature
Scream and Scream Again
Shadow Fury
The She-Creature
Son of Frankenstein
Species
Species II
Teenage Zombies
The Vampire Bat
Van Helsing
The Walking Dead
Wild, Wild Planet
X
Zombies on Broadway

 


 

Scale:

(see it)

 (matinee)

(wait for TV)

(skip it)

(toxic)

 

 

 

 


Copyright © 2004-06 Matthew M. Foster